Spring/Summer 2018 | Volume 67.2

FICTION

JINNY KOH
Close to Home | 14

ERNEST J. FINNEY
The Trumpet Incident | 56

JEFF MEYERS
The Museum of Broken Relationships | 128

SEAN GILL
You Can’t Superglue Your Way Out of This One | 153

POETRY

ALEXANDRINE VO
Dasein | 9
A Game | 10
Monsoon | 12

TERRY POOVEY
Vanishing Country | 13

JAMES K. ZIMMERMAN
La Carrera de Santo Santiago | 27

JANE CRAVEN
Artifact | 47
Balaclava | 48

DON HOGLE
Radical Phenology | 50
Tinnitus | 51

MARISSA DAVIS
Reverse Recipe for Near-Impossible Feats (Or, How to Grow Lavender in the Kentucky Wetlands) | 52

JESSICA MELILLI-HAND
Jane’s Hole in the Wall Diner | 71

DEBORAH CASILLAS
Enigma of Stone and Line | 72
Mesa of Wind and Unceasing Light | 73
The Undefined | 74

MICHAEL LYLE
Reston Town Center | 75

REBECCA BAGGETT
Demographics | 76

JEFFREY ALFIER
Overwintering North of Bucharest | 78
Eighth Winter in Krakow | 79

EDWARD DERBY
New Birds | 80

JANA-LEE GERMAINE
The Magician’s Assistant | 97
Early Frost, Deep Freeze | 98

AMANDA RACHELLE WARREN
Dear Mother of Weakness, | 114
Ridgerunner | 115

SARAH GORDON
A Dark and Feathered Thing | 117
On the Death of a Moth | 118

BRIAN CRONWALL
Obsession | 120
Eating Lunch at Rappa’s Restaurant | 121

JONATHAN GREENHAUSE
The Thrall of Animals | 144

CLAUDIA BUCKHOLTS
Particles | 146
Lunch | 147

ALICIA MOUNTAIN
Glaring Pattern Baldness | 148
Haymaker Barnburner | 149

LIZ MARLOW
Elegy for a Barracuda | 150

KELLY R. SAMUELS
Catalpa speciosa | 164

NONFICTION

PETER GRIMES
1993: The Album (A Revisionary Retrospective) | 28

LAURA GILL
How to Be Seen | 99

LAURIE FRANKEL
Hodeng-Hodenger | 122

ART

SCOTT BRENNAN
Artist’s Statement | 82
Parking Garage Ramp | 83
Moon Over Miami | 84
L2 | 86
141 and 142 | 87
Level 2E | 88
Parking Garage Ramp (Outside) | 89
104 and 103 | 90
354 | 91
Level 6E | 92
ADA Ramp | 93
547 and 548 | 94

REVIEWS

JACKSON HALL
Don’t Call Us Dead by Danez Smith | 167

HEATHER MENEFEE
Body Horror: Capitalism, Fear, Misogyny, Jokes by Anne Elizabeth Moore | 171

EMILIO TAIVEAHO
The Islands by William Wall | 175